Analogue Productions

Analogue Productions - John Coltrane - A Love Supreme - UHQR - LP!

  • Analogue Productions - John Coltrane - A Love Supreme - UHQR - LP!

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John Coltrane Quartet — A Love Supreme

 Analogue Productions' UHQR, the pinnacle of high-quality vinyl!

 45 RPM Ultra High Quality Record release. Limited to 10,000 copies.

 Mastered by Ryan K. Smith at Sterling Sound from a second-generation tape copy created by Rudy Van Gelder

 Pressed at Quality Record Pressings using Clarity Vinyl®

Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home


"Acoustic Sounds' UHQR 45rpm double-LP vinyl reissue of Coltrane's 'A Love Supreme' is a wonder, better-sounding than any previous edition, including the original pressing." — Fred Kaplan, X

" will surely appreciate the sonic differences between the Verve Acoustic Sounds 33 1/3 edition, which is really good with this UHQR, which is, to say it in technical terms 'insanely better' and the proverbial 'window into the studio' when the session was recorded. In what ways? Every way, actually. You'll hear it from the opening tam-tam hit-especially if you've been playing this album for fifty years! The background quiet is noticeably better than even the quietest regular QRP pressing. Tyner's piano appears in three dimensional space, Jones's stick work on cymbals and woody rim shots startle. The difference between this version and every other one including Smith's cut from the same tape at the same time is not subtle and if your system has the resolution you'll immediately hear it and be glad you made the $150 investment. I know I am!  if this album is meaningful to you and you want by far the best sounding version ever released, this is it."

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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