Mastered by George Marino at Sterling Sound
Mono & Stereo magazine's reviewer Matej Isak says Chad Kassem's efforts via his Quality Record Pressings pressing plant "goes beyond simple vinyl revival." "What can I say? I have a few different copies of this album and this release is of a completely different nature of sound. Like with another unforgettable (release) Nat 'King' Cole — Love Is The Thing (AAPP 824-45) this is as good as it gets, without having the real master tapes on hand. It's a celebration of analog." Isak also raves, "Everything is even more subtle and present. Astrud's vocals finally got the needed three-dimensionality and 'spirit' and Getz's saxophone breathes out of proportion. When compared to other pressings, for example, Astrud is a mere statue. Here, she came alive with the feeling of real life-size. ... With 45 RPM benefits, the album gained better transients and a sense of atmosphere. It moves you more intimately and straight to the core."